Sing Jantzen Tse’s artworks focus on the topics of language and conversation, sound and visuals of daily objects and city landscapes. His artworks express the inseparable and entangled relationships between people, individuals and cities, the soul and time. Interested in multimedia practices, he applies different materials and audio-visual moving images to his creations. In 2012, his experimental sound performance language, toured various theatrical performance programmes in Hong Kong, Shanghai, and Taipei. Between 2011 to 2015, he was invited as a resident artist touring Africa, India, and the United Kingdom. In 2017, he and his friends founded the art group “Dabinlo Lab”, which focuses on video projects, sound and music performance, and multimedia art production such as those in Virtual Reality (VR) and Augmented Reality (AR). As a musician he is active in band shows and has composed and improvised music for multimedia theatre performances. He has also led sound and video workshops.

Recent solo installation work: Mass Transit railway (2024), Mass Transit railway express (2021), Virtual backyard of reality (2017), Street Language (2016) ; collective work : VR & AR interactive multimedia show Our Mountains & Seas 2049 (2022) A mind apart (2021), video installation Rhythms (2021), dance video Overmaster (2021).

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