The participants, in their present moment, deconstructed and reconstructed words, creating a spontaneous, atemporal poetic language—a surprising bloom from the chaos of chance.
The weightless trilogy: direct experience reimagines the text, blending the tangible, the digital, and the felt, in a symphony of unbound sensations.
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From the fragments of words, a new poetry arose: a Dada workshop now past, yet its spirit remains. Cut-up, collage, and automatism unlocked unexpected verses, revealing the hidden harmonies between human intention and technological assistance. The experience, a dance between chance and control, continues to inspire.
(Note) “Dada poetry” originates from Dadaism, a movement proposed by European art philosophers after World War I. It is an important genre in the development of 20th-century Western literature and art that seeks to break down existing frameworks, pursuing states of “serendipity,” “spontaneous,” and “unintentional” expression, while exploring the phenomenon of automatism in a pure state of mind.